The buildings by Holl -- the early houses in particular -- are a serious attempt to unite the conditions of the natural environment with its cultural interpretation. Holl's manner of working is to find a third level of seeing a place -- where the apparent conflicts between nature and culture are dissolved in poetry. An example of this design attitude can be seen in the Berkowitz House at Martha's Vineyard, Massachusetts....
steppe
Dry/Steppe
Environmental characteristics
Temperature Variable, winters short
Rainfall Rain < 50 cm or 20 inches/yr
Vegetation Short grass, shrubs
Soil Chestnut, brown soils, and Sierozems
or mountain soils
Indigenous house forms
Adobe Sod
Courtyard Plan Missions
Courtyard Plan Missions
Missions
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Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
:PHYSSIZE
(See Categories of Houses, Historic Styles)))))
Eco-regions and Architecture
:PHYSSIZE
The Inuit and Eskimo peoples developed a rich variety of dwelling types to cope with the extreme arctic climate. The iglu, anegiuchak, killigun, and tupik are dwelling forms from which there is some-thing to learn. However, because they exist outside the traditions developed by European settlers, we have chosen not to include them.
We do not mean to suggest these native forms are unworthy of emulation -- on the contrary, shelters developed in extreme conditions with an economy of means are efficient responses to the natural world. However, lessons contemporary home builders might glean are primarily poetic in nature. Paul Oliver's Dwellings: The House Across the World provides insight into Native American dwelling types. dwelling types...welling types.. dwelling types.ing types.. dwelling types.................. dwelling types......s. types....can dwelling types. types..erican dwelling types..
Indigenous house forms
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Polar/Tundra Eco-regionra
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
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Environmental characteristics
Temperature Coldest month below 0c or 32F
Warmest month < 22c or 72F
Rainfall Adequate throughout the year
Vegetation Seasonal and mixed deciduous-coniferous forests
Soil Gray-brown podzolic or leached soils
digenous house forms
odzolic or leached soils
Indigenous house forms
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
Humid Temperate/Warm Continental
o-region
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Timber Frame One Room Plan
Braced Frame Center Chimney
Log Construction Extended Farmhouse
One Room Plan Shingle Style
Extended Farmhouse plan
Shingle Style
Indigenous house forms
--- Click on each name to see a sample ----sample)
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
:PHYSSIZE
(See Categories of Houses, Historic Styles)))))
(See Categories of Houses, Historic Plan Types)
HOUSE DESIGN
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Indigenous house forms
Polar Subarctic Eco-region
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This forested region lies between the tundra homelands of the Inuit peoples and the northern edge of lands settled by European immigrants. Permanent settlements were established long
after the era in which indigenous house forms evolved. No indigenous forms other than the
log house and temporary native dwellings have emerged in this region....egion.ther than the log house and temporary native dwellings, no indigenous house forms have developed inthis region.
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
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The Hot Continental region lies physically, ecologically and culturally between New England and the Deep South. It is in all ways transitional, and thus borrows and mixes forms from the more extreme conditions to the north and south. The casual mixing of construction methods -- timber framing favored in the north and masonry favored in the south -- is an indication that the relatively
benign climate permits methods which might be contradictory in a more severe ecological situation....
ecomain
Architectural form was historically bound to an ecological situation. We refer to the New England
Salt Box or the Charleston Shotgun, but these terms are more stylistic than geographic in nature.
The danger in reducing vernacular types to mere styles is that they become commodities for export to regions where they no longer respond well to local environmental conditions. It's a bit like having an anchor without a chain -- the anchor may represent certain aspects of culture, but it is no longer connected to environmental meaning.
Of course, architecture is not such an exact machine that the forms developed in one region may not work relatively well in an adjacent region or in a distant region's micro-climate.ate...
Principles of Design
Anchoring the Building
Eco-regions and Architecture
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Principles of Design
step1
Understand the environmental challenge of making a place in which you are at home.
step2
Connect the house to its site and to your appreciation of the larger place where you will live.
step3
Visualize the house as a machine interacting with its surroundings.
step4
Choose building materials with an eye towards a healthy house and a healthy environment.
step5
Consider how the parts of your house might be organized into a single form.
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
Principles of Designring the Buildingnnnnnnnnnnn
There is a great deal of cultural diversity within the Caribbean islands, Central Mexico and the Yucatan, thus house forms tend to be hybrid types which combine the technologies of local Indians with the formal organizations of European house forms. Variations within the region are significant.t. the following being major categories:
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
The sod houses and dugouts of the early 19th century -- invented in response to the severe shortage of wood -- were gradually replaced by houses constructed with the economical balloon frame. Although the balloon frame was invented in Chicago in 1839 as a response to regional conditions, a succession of national styles typical of the late 19th century used this form. In other words, local genius was put into the service of universal aspirations.
It was not until the end of the 19th century that Frank Lloyd Wright first attempted to develop a self-conscious manner of building which inter-preted the ecological conditions of the prairie..tios of the prairie.itios of the prairie..........ological conditios of the prairie.
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
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The Maya had already constructed and abandoned very sophisticated courtyard forms before the Spanish invaded Guatemala and Mexico. The social organization of the dwellings is not really known to us. The hybrid courtyard type which occupies the region today has its roots in both cultures. It is the detailing and roof forms which distinguish the courtyard dwellings of the rainforest from those of the desert.
Courtyard plan
Principles of Designring the Buildingnnnnnnnnnnn
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Eco-regions and Architecture
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:PHYSSIZE
Pliny Fisk III of the Center for Maximum Building Potential in Austin, Texas, employs vernacular tech-nologies from similar ecological regions around the world as a design strategy. The Carpenter house near Webberville, Texas, is a valuable demonstra-tion of this design methodology.
In looking only at North America, we avoid the complexity of Fisk's methodology, called Biom-metric Design and Planning, but miss the rich cultural implications of his findings. Both Kenneth Frampton and Lewis Mumford have talked elo-quently about the need for local cultures to be informed by universal principles. Fisk's approach
to design manages to connect local ecological conditions to global cultural inventiveness. Click on
the Audio button to hear Lewis Mumford on the idea
ing the local with the universal.
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
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of informing the local with the universal.
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
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step1
Understand the environmental challenge of making a place in which you are at home.
step2
Connect the house to its site and to your appreciation of the larger place where you will live.
step3
Visualize the house as a machine interacting with its surroundings.
step4
Choose building materials with an eye towards a healthy house and a healthy environment.
step5
Consider how the parts of your house might be organized into a single form.
Anchoring the Building
he Buildingnnnnnnnnnnn
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Making Placesss
step1
Understand the environmental challenge of making a place in which you are at home.
step2
Connect the house to its site and to your appreciation of the larger place where you will live.
step3
Visualize the house as a machine interacting with its surroundings.
step4
Choose building materials with an eye towards a healthy house and a healthy environment.
step5
Consider how the parts of your house might be organized into a single form.
natureCulture
polar
:PHYSSIZE
Environmental characteristics
Temperature Mean temp of warmest month < 10c or 50F
Rainfall Water deficient during the cold season
Vegetation Moss, grasses, and small shrubs
Soil Tundra soils subject to permafrost
Indigenous House Forms
Native American
ous house forms Native American typesssssssot studied))))))))))))))))))))))ypes (not studied)
Polar/Tundra Eco-regionra
Architecture and Eco-regions: Anchoring the Building
Principles of Design
:PHYSSIZE
Anchoring the Building
Eco-regions and Architecture
natureCulture
Nature and Culturee
In his book Anchoring, architect Steven Holl said:
Architecture is bound to situation. Unlike
music, painting, sculpture, film, and literature,
a construction...is intertwined with the expe-
rience of a place. The site of a building is more
than a mere ingredient in its conception. It is
its physical and metaphysical foundation.
Architecture does not so much intrude on a
landscape as it serves to explain it.
The buildings by Holl -- the early houses in particular -- are a serious attempt to unite the conditions of the natural environment with its cultural interpretation. Holl's manner of working is to find a third level of seeing a place -- where the apparent conflicts between nature and culture are dissolved in poetry. An example of this design attitude can be seen in the Berkowitz House at Martha's Vineyard, Massachusetts.
:PHYSSIZE
Courtesy Sally Smith
:PHYSSIZE
Anchoring the Building
Principles of Designring the Buildingnnnnnnnnnnn
footnote
See Anchoring by Steven Holl, p. 9. See Bibliography, General Architecture.........
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
Along with New England, parts of British Columbia and the Maritimes fall in this region. The European settlement of British Columbia almost 200 years after the initial Massachusetts Bay Colony settlements offers a perfect opportunity to distin-guish architecture that can develop in identical environmental conditions, but which is subject to different cultural and technological conditions.
Log Construction and variations of the One Room and Center Chimney plans were used in Western Canada. Pre-industrial wood framing techniques as well as the extended farmhouse and shingle styles are unique to the 18th and 19th century Eastern cultures which invented them, and did not emerge in Western Canada.simply becaue the physical enviornment was very similar......ar..ar..nment was very similar..
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
The richness of indigenous house forms in this region is due to two factors. First, the region was settled by Europeans long before the homogenizing influence of national styles took hold; and, second, the ecological conditions of the region demanded a strong architectural response..........
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
k on each name to see a sample ----sample)
HOUSE DESIGN
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subtropic
Humid Temperate/Subtropic
Environmental characteristics
Temperature Coldest month between 18c -- -3c (65F -- 26F)
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
The pervasive use of a limited number of types from Guatemala to New Mexico illustrates two facts: the homogenizing nature of the Spanish invasion and the relative flexibility of the types which developed over these five eco-regions.
Scholars point to the courtyard house form and adobe technology as hybrids of Native American types. The impressive Mesoamerican architec-ture led the Spanish to adapt local forms rather than ignore them as did the English and French.
The Arts and Crafts style of the late 19th century is British in origin, and international in scope. Although California developed a particularly strong local variety of this movement, it is not really a native phenomenon.t is not really a native phenomenon.ariety of this movement, it is not really a native phenomenon...omenon..........menon..n.
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
Because the desert regions of the southwest lie entirely within the Spanish colonial sphere of influence, house forms there are historically variations of the basic types developed else-where by the Spanish. A study of sub-types would reveal what strategies local builders used to cope with desert conditions.ns.ns.onditions.
Principles of Designring the Buildingnnnnnnnnnnn
:PHYSSIZE
rainforest
Humid Tropical/Rainforest
Environmental characteristics
Temperature Coldest month > 18c (65F)
Annual variation < 3c or 5F
Rainfall Heavy rain, minimum 6 cm or 2.5 inches/month
Vegetation Dense forest, heavy undergrowth
Soil Latosols
Indigenous house forms
Courtyard Plann types (not studied)(not studied)sssourtyard Plan Missionsssd Plan Missions Courtyard Plan MissionsM
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
In contrast to the rich development of unique local forms which occurred in eastern regions of the country, European settlers in the Pacific Northwest did not invent any indigenous forms. By the mid- to late nineteenth century, Americans were preoccupied with the creation of national styles which may have become localized, but which did not fundamentally depart from styles made popular in the east.
Some scholars argue that the log house, especially in the Populist era of President Andrew Jackson, was the first self-consciously national style. The fact that Abe Lincoln was born and raised in a log cabin was a powerful symbol of his American-ness..ican-ness..ss.
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
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footnote
On this map, the North American continent is subdivided into 4 ecological domains and 12 divisions based on the work of Robert Bailey in 1976. Regional boundaries are approximate, with transitional zones between regions and micro-climates within regions (such as
mountain ranges).
In this section of Complete House, you'll find a brief description of each of these eco-regions.
We've also included examples of house types that evolved before the homogenizing momentum of the modern period took hold.
Principles of Designring the Buildingnnnnnnnnnnn
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Anchoring the Building
Eco-regions and Architecture
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footnote
See Description of the Ecoregions of the United States by Robert G. Bailey. See Bibliography, Green Design.
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See Description of the Ecoregions of the United States by Robert G. Bailey. See Bibliography, Green Design.
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ecomain
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The Maya had already constructed and abandoned very sophisticated courtyard forms before the Spanish invaded Guatemala and Mexico. The social organization of the dwellings is not really known to us. The hybrid courtyard type which occupies the region today has its roots in both cultures. It is the detailing and roof forms which distinguish the courtyard dwellings of the rainforest from those of the desert.
Courtyard plan
Principles of Designring the Buildingnnnnnnnnnnn
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Eco-regions and Architecture
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According to Melville's Moby Dick, the
Indian Tribe that originally inhabited Martha's Vineyard created a unique dwelling type. Finding a whale skeleton on the beach, they would pull it up to dry land and stretch skins over it, transforming it into a house....................................
In drawing upon a mythical building type and this very peculiar story to generate the concept for this project, Holl anchored the idea of the house in both the natural and cultural history of the place. The powerful image Melville relates is further trans-
formed by the position which the culture of Moby
Dick and Melville himself hold in our collective memory. e can all see the whale skeleton in the sand --- we can therefore understand Holl's interpretation of it, even though the building itself may appear to be very unfamiliar.ar.liar.ry unfamiliar....elates is further transformed by the position which the culture of Moby Dick and Melville himself holds in our collective memory. We can all see the whale skeleton in the sand we can therefore understand Holl's interpretation of it, even though the building itself may appear to be very unfamiliar.
Anchoring the Building
Principles of Design
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:PHYSSIZE
Nature and Culturee
footnote
See Anchoring by Steven Holl, p. 9. See Bibliography, General Architecture.........
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prairie
mediterranean
desert
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Dry/Desert
Environmental characteristics
Temperature High summer temperatures, mild winters
Rainfall Very dry in all seasons
Vegetation Shrubs or sparse grasses
Soil Desert, Aridisols
Indigenous house forms
Adobe
Courtyard Plan
Missionsssssssbe
Courtyard Plan
Missionsdied)d)))ypes (not studied)
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
V . S
Eco-regions and Architecture
:PHYSSIZE
(See Categories of Houses, Historic Styles)))))
savanna
Humid Tropical/Savanna
Environmental characteristics
Temperature Coldest momth > 18c (65F)
Annual variation < 12c or 22 F
Rainfall Dry season with < 6 cm or 2.5 inches/yr
Vegetation Open grassland, scattered trees
Soil Latosols
IIndigenous house forms
Adobe Sala Plan
Courtyard Plan Plantation House Plan
Missions Plantation House Plan
Missions
:PHYSSIZE
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
:PHYSSIZE
(See Categories of Houses, Historic Styles)))))
marine
Humid Temperate/Marine
Environmental characteristics
Temperature Coldest month between 18c -- -3c (65F -- 26F)
Warmest month < 22c or 72F
Rainfall Maximum in winter
Vegetation Coniferous forests
Soil Brown forest and gray-brown podzolic
or leached soils
Indigenous house forms
Log Constructionnnnnnnnnsee a sample ---
Log Construction
:PHYSSIZE
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
:PHYSSIZE
(See Categories of Houses, Historic Plan Types)
(See Categories of Houses, Historic Styles)))))
prairie
Humid Temperate/Prairie
Environmental characteristics
Temperature Variable
Rainfall Adequate all year, except in dry years,
maximum in summer
Vegetation Tall grass, parklands
Soil Prairie soils, black and rich in humus --
Indigenous house forms
Sod Houses
Balloon Frame
Prairie Styleeeeeeeeeee Balloon Frame
Prairie Style
:PHYSSIZE
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
:PHYSSIZE
(See Categories of Houses, Historic Plan Types)
(See Categories of Houses, Historic Styles)))))
:PHYSSIZE
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the building itself may appear to be very unfamiliar.
There are,
Berkowitz House
Anchoring the Building
Nature and Culturee
We can all see the whale skeleton in the sand --- we can therefore understand Holl's interpretation of it, even though the building itself may appear to be very unfamiliar.
There are, of course, critics who would prefer that the building be anchored in hard science rather than metaphysics. Dis-cussions of sun angles and life cycle economies are reassuring because they are quantifiable. However, such rationaliza-tions can distract us from the poetic experience of living in a place.
It is essential to link -- through the act of building -- the natural and cultural phenomena of a place.
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
:PHYSSIZE
Principles of Designring the Buildingnnnnnnnnnnn
The Hot Continental region lies physically, ecologically and culturally between New England and the Deep South. It is in all ways transitional, and thus borrows and mixes forms from the more extreme conditions to the north and south. The casual mixing of construction methods -- timber framing favored in the north and masonry favored in the south -- is an indication of the relatively
benign climate permits methods which might be contradictory in a more severe ecological situation......
Anchoring the Building
Eco-regions and Architecture
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Making Placesss
step1
Understand the environmental challenge of making a place in which you are at home.
step2
Connect the house to its site and to your appreciation of the larger place where you will live.
step3
Visualize the house as a machine interacting with its surroundings.
step4
Choose building materials with an eye towards a healthy house and a healthy environment.
step5
Consider how the parts of your house might be organized into a single form.
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subarctic
Environmental characteristics
Temperature Summer mean temp is 10c or 50F
Winter mean temperature is -3c or 26F
Rainfall Rain even throughout the year
Vegetation Forest, parklands
Soil Podzols or leached soils
Indigenous House Forms
construction
ve American types (not studied)American types (not studied)t studied) (not studied) studied)
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
This region has a significant number of micro-regions because of mountain ranges and the temperature variations found between Canada
and Mexico. The lack of a homogenous cultural influence also complicates matters. Extreme northern portions of the region weren't settled until the late 19th century, while Europeans occupied southern areas in the 17th century.
Architectural development doesn't always fit neatly with ecological definition --- a refined version of Bailey's classification system would be required to adequately interpret the impact of the physical environment upon the architecture of this region................................................ure of the region.gion..ronment upon the architecture of the region.
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
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Principles of Design
step1
Understand the environmental challenge of making a place in which you are at home.
step2
Connect the house to its site and to your appreciation of the larger place where you will live.
step3
Visualize the house as a machine interacting with its surroundings.
step4
Choose building materials with an eye towards a healthy house and a healthy environment.
step5
Consider how the parts of your house might be organized into a single form.
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Principles of Designring the Buildingnnnnnnnnnnn
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HOUSE DESIGN
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Pliny Fisk III of the Center for Maximum Building Potential in Austin, Texas, employs vernacular tech-nologies from similar ecological regions around the world as a design strategy. The Carpenter house near Webberville, Texas, is a valuable demonstra-tion of this design methodology.
In looking only at North America, we avoid the complexity of Fisk's methodology, called Biom-metric Design and Planning, but miss the rich cultural implications of his findings. Both Kenneth Frampton and Lewis Mumford have talked elo-quently about the need for local cultures to be informed by universal principles. Fisk's approach
to design manages to connect local ecological conditions to global cultural inventiveness. Click on
the Audio button to hear Lewis Mumford on the idea
ing the local with the universal.
s
Principles of Designring the Buildingnnnnnnnnnnn
Anchoring the Building
Eco-regions and Architecture
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:PHYSSIZE
1992 Center for Maximum Building Potential
:PHYSSIZE
informed by universal principles. Fisk's approach to design manages to connect local ecological conditions to global cultural inventiveness. Click on the Audio button to hear Lewis Mumford on the idea of informing the local with the universal.
Timber Frame Braced Frame Log Construction One Room Plan
Center Chimney Plan Extended Farmhouse plan Shingle Style
:PHYSSIZE
The Maya had already constructed and abandoned very sophisticated courtyard forms before the Spanish invaded Guatemala and Mexico. The social organization of the dwellings is not really known to us. The hybrid courtyard type which occupies the region today has its roots in both cultures. It is the detailing and roof forms which distinguish the courtyard dwellings of the rainforest from those of the desert.
Courtyard plan
Principles of Designring the Buildingnnnnnnnnnnn
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Eco-regions and Architecture
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natureCulture
Nature and Culturee
In his book Anchoring, architect Steven Holl said:
Architecture is bound to situation. Unlike
music, painting, sculpture, film, and literature,
a construction...is intertwined with the expe-
rience of a place. The site of a building is more
than a mere ingredient in its conception. It is
its physical and metaphysical foundation.
Architecture does not so much intrude on a
landscape as it serves to explain it.
The buildings by Holl -- the early houses in particular -- are a serious attempt to unite the conditions of the natural environment with its cultural interpretation. Holl's manner of working is to find a third level of seeing a place -- where the apparent conflicts between nature and culture are dissolved in poetry. An example of this design attitude can be seen in the Berkowitz House at Martha's Vineyard, Massachusetts.
:PHYSSIZE
Courtesy Sally Smith
:PHYSSIZE
Anchoring the Building
Principles of Designring the Buildingnnnnnnnnnnn
footnote
See Anchoring by Steven Holl, p. 9. See Bibliography, General Architecture.........
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If we rethink the concept of home as broad enough to include the planet as a whole, then to be at home in the world means to live lives that are in sympathy with the well-being of the planet. Concepts intro-duced in Anchoring the Building, Watson's Five Metaphors, and Material Principles support that idea.
Architecture is only one tool to help us achieve ecologically sustainable places. But swinging the pendulum completely to the biological realm and away from the aesthetic and cultural realms is al-most as destructive as ignoring nature altogether. For this reason, we have included a brief review of principles of form in floor plan organization, or Formal Principles.
None of these principles are fixed truths, but are ideas which can redirect our ability "to make places for ourselves."
lves.
re ideas which can redirect our ability to make sustainable places for ourselves.
lm and away from the aesthetic and cultural realms would be almost as destructive as ignoring nature altogether. For this reason we have included a brief review of the formal principles of floor plan organization as a way to reinforce the purely aesthetic concerns of architectural composition.
None of these principles are fixed truths, but are ideas which can redirect our ability to make sustainable places for ourselves.
Making Places
Principles of Designgggggggggggggggggggggggg
"Home"
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Quoted from Postmodern Sophistications: Philosophy, Architecture and Tradition by David Kolb. See Bibliography, General Architecture..
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makingPlaces
"footnote"
g < 16
(g + 1)
terPage
enterPage
leavePage
enterPage
footnote
leavePage
footnote
&%p+>268
ThY~]
dNe`grh
N M E
*#M F
If we rethink the concept of home as broad enough to include the planet as a whole, then to be at home in the world means to live lives that are in sympathy with the well-being of the planet. Concepts introduced in Anchoring the Building, Watson's Five Metaphors, and Material Principles support that idea.
Architecture is only one tool to help us achieve ecologically sustainable places. But swinging the pendulum completely to the biological realm and away from the aesthetic and cultural realms is almost as destructive as ignoring nature altogether. For this reason, we have included a brief review of principles of form in floor plan organization, or Formal Principles.
None of these principles are fixed truths, but are ideas which can redirect our ability "to make places for ourselves."
lves.
re ideas which can redirect our ability to make sustainable places for ourselves.
lm and away from the aesthetic and cultural realms would be almost as destructive as ignoring nature altogether. For this reason we have included a brief review of the formal principles of floor plan organization as a way to reinforce the purely aesthetic concerns of architectural composition.
None of these principles are fixed truths, but are ideas which can redirect our ability to make sustainable places for ourselves.
Making Places
"Home"
De:PHYSSIZE
"footnote"
mouseEnter
mouseLeave
mouseEnter
footnote
mouseLeave
footnote
f:PHYSSIZE
footnote
See Postmodern Sophistications: Philosophy, Architecture and Tradition by David Kolb. See Bibliography, General Architecture..........
Principles of Designgggggggggggggggggggggggg
4hdbPath
"proceedingtodesignlast"
buttonUp
buttonUp
proceedingtodesignlast
hdbPath
If we rethink the concept of home as broad enough to include the planet as a whole, then to be at home in the world means to live lives that are in sympathy with the well-being of the planet. Concepts introduced in Anchoring the Building, Watson's Five Metaphors, and Material Principles support that idea.
Architecture is only one tool to help us achieve ecologically sustainable places. But swinging the pendulum completely to the biological realm and away from the aesthetic and cultural realms is almost as destructive as ignoring nature altogether. For this reason, we have included a brief review of principles of form in floor plan organization, or Formal Principles.
None of these principles are fixed truths, but are ideas which can redirect our ability "to make places for ourselves."
lves.
re ideas which can redirect our ability to make sustainable places for ourselves.
lm and away from the aesthetic and cultural realms would be almost as destructive as ignoring nature altogether. For this reason we have included a brief review of the formal principles of floor plan organization as a way to reinforce the purely aesthetic concerns of architectural composition.
None of these principles are fixed truths, but are ideas which can redirect our ability to make sustainable places for ourselves.
Making Places
Principles of Designgggggggggggggggggggggggg
"Home"
e:PHYSSIZE
"footnote"
mouseEnter
mouseLeave
mouseEnter
footnote
mouseLeave
footnote
@g:PHYSSIZE
footnote
See Postmodern Sophistications: Philosophy, Architecture and Tradition by David Kolb. See Bibliography, General Architecture..........
Principles of Designgggggggggggggggggggggggg
T,YB]Dc
Stack Animation
(J)"*
,0-z.
screenedge
On pageen
Off pageen
ShowAndHideDemo
4g, layering, moving
B"showingandhiding"
"stackobjects"
)6180, 1830
5200, 1600
"hidestack"
"showimage"
"hideimage"
"dotherest"
(i + 1)
setback
buttonup
buttonup
layering
showingandhiding
moving
showingandhiding
stackobjects
stack
stackobjects
hidestack
hidestack
showimage
showimage
hideimage
hideimage
dotherest
dotherest
Y-setback
buttonup
showingandhiding
layering
moving
ShowAndHideDemo
Layer
Layer
Moving
Moving
layering
buttondoubleclick
buttondoubleclick
pShowHide
About setting the layer order:
To animate by setting the layer number of objects in a stack, first position the objects on the page. Use numbers to name the objects, making sure the numbers match the order that the images will appear.
The script loops through each object in succession, setting its layer number to the top. Using a layer number like 999 to set the layer usually works fine in a script. At the end of the sequence, check for the last object, then start again with the first object.
(Double-click this field to dismiss it.)
hideandshowscript
pShowHide
Script to show and hide groups:
to handle IDLE
if vGroupnum < 16
show group (vGroupnum + 1)
hide group vGroupnum
increment vGroupnum
else
set vGroupnum to 1
show group "1"
hide group "16"
(Double-click this field to dismiss it.)
layerscript
buttondoubleclick
buttondoubleclick
pShowHide
Script to set the layer order of groups:
to handle idle
if g < 16
set layer of group g to 999
increment g
else
set g to 1
set layer of group g to 999
(Double-click this field to dismiss it.)end
set g to 1
end
movescript
buttondoubleclick
buttondoubleclick
pShowHide
Script to move groups on and off the page:
to handle idle
if g < 16
move group (g + 1) to 5200, 300
move group g to -1000, -1000
increment g
else
move group "1" to 5200, 300
move group g to -1000, -1000
set g to 1
(Double-click this field to dismiss it.))nd
fonsize
pShowHide
A typical loop
for showing objects:
step i from 1 to 16
show group i
(Double-click this field to dismiss it.)oup i
end
set g to 1
show group "1"
hide group "16"
end
n layering is true
if g < 16
set layer of group g to 999
increment g
else
set g to 1
set layer of group g to 999
end
when moving is true
if g < 16
move group (g + 1) to 5200, 300
move group g to -1000, -1000
increment g
else
move group "1" to 5200, 300
move group g to -1000, -1000
set g to 1
end
end conditions
to handle idle
system g, showingandhiding, layering, moving
conditions
when showingandhiding is true
if g < 16
show group (g + 1)
hide group g
increment g
else
set g to 1
show group "1"
hide group "16"
end
when layering is true
if g < 16
set layer of group g to 999
increment g
else
set g to 1
set layer of group g to 999
end
when moving is true
if g < 16
move group (g + 1) to 5200, 300
move group g to -1000, -1000
increment g
else
move group "1" to 5200, 300
move group g to -1000, -1000
set g to 1
end
end conditions
set g to 1
end
end conditions
end
end conditions
idlehandler
pShowHide
An IDLE handler for hiding and showing:
to handle IDLE
system earth --stores the name of the
--rotation in this variable
if earth < 16 -- increments the rotations
show group (earth + 1)
hide group earth
increment earth
else -- starts all over again
set earth to 1
show group "1"
hide group "16"
(Double-click this field to dismiss it.))nd
when moving is true
if g < 16
move group (g + 1) to 5200, 300
move group g to -1000, -1000
increment g
else
move group "1" to 5200, 300
move group g to -1000, -1000
set g to 1
end
end conditions
to handle idle
system g, showingandhiding, layering, moving
conditions
when showingandhiding is true
if g < 16
show group (g + 1)
hide group g
increment g
else
set g to 1
show group "1"
hide group "16"
end
when layering is true
if g < 16
set layer of group g to 999
increment g
else
set g to 1
set layer of group g to 999
end
when moving is true
if g < 16
move group (g + 1) to 5200, 300
move group g to -1000, -1000
increment g
else
move group "1" to 5200, 300
move group g to -1000, -1000
set g to 1
end
end conditions
set g to 1
end
end conditions
end
end conditions
showingandhiding
pShowHide
About showing and hiding objects:
To animate objects in a stack by hiding and showing them, position the objects on the page first, then layer them in the same order that they'll be shown. Use object names that match the order that they'll appear. Hide all the objects except the one on the top layer.
The animation script loops through each object, layer by layer, showing each one, and then hiding the object on the layer above it.
At the end of the sequence, check for the last object, then start over with the first object.
(Double-click this field to dismiss it.)
and then start over at the first.
Moving
buttondoubleclick
buttondoubleclick
$pShowHide
About moving objects on and off the page:
To use this method to animate objects, first position all the objects off the page except the starting object. You can move them to a location with negative coordinate values such as -1000, -1000 or to coordinates larger than the page size. The layer order of the objects should also match the order that they'll appear.
The script should move each object in succession to the desired page location, then move the previous object back off page.
To continue at the end of the sequence, check for the last object and start over.